· Concepts and concerns
· Story development, Dramatic elements and a Structure
· Creating realistic characters and dialogue
· Writing narration and dialogue
· Music and sound
· Adapting plays, novels and biographies to the screen
· Story Analysis
· Glimpses of History of International Cinema - Study of famous classic films
· Glimpses of History of Indian television - Study of popular T.V. programmes
· Nature and scope of communication
· Media and social change
· Director & Cameraman
· Director & actor
· Director & editor
· The equipment and accessories for film and TV cameras
· Camera movement, camera placement, choice of lenses
· Perspective and composition
· Picture composition – Purpose and aim
· Continuity of composition in multi-camera production
· Choice of compositional treatment
· Imaginary line, reverse angle and point of view
· Frame and the Director
· Lights and filters
· Directing a Continuity chase sequence exercises
PAPER V DAILY ASSIGNMENT/WORKSHOPS/SEMINARS
FILM APPRECIATIO
· History of Cinema
· Selected topics from the history of Indian and International cinema such as a major historical period, genre or film director.
· Textual analysis of a feature film in the analytical-dramatic style.
· Textual analysis of a modernist feature film.
· At the end of the semester each student will do a study of one selected topic of his choice and will be assessed on the basis of a written assignment and presentation
on the subject.
MUSIC
· Acquaintance with the former and contemporary usages of music in film and television.
· Viewing and analysis of relevant clips on video spread over 2 sessions.
· Analysis of music used in a contemporary Indian film.
· Analysis of music as used in a contemporary non-Indian film.
· Carnatic and south Indian music
· Various folk music of India
ACTING FOR THE CAMERA
· Introduction to acting
· The acting exercise
· The role versus the lines
· Working with the Actor
· The conditions of cinematic space and time
· Continuity and acting
· The dubbing process
DIRECTOR AND EDITOR
· Post-production techniques and skills for the Director
· Viewing rushes, logging, selection, the paper cut, assembling the paper Edit, first assembly, rough cut, narration, music, fine cut, track laying, the sound mix, title and
acknowledgement.
· New technologies related to the visual media, multimedia etc.
· Visual and electronic effects
MAKE-UP
· Balance of face
· Types of face
· Optical illusion
· Corrective Make-up (a) General (b) Glamour (c) Character (d) Special effects
· Direct a 30 sec. TV Commercial on given script
· Mise-en-scene